[*] 618. The Iambic Trimeter is the ordinary verse of dramatic dialogue. It consists of three measures, each containing a double Iambus (iambic dipody). The cæsura is usually in the third foot.
[*] Note.--The sign [gtbreve] [acutemacr] denotes possible substitution of an irrational spondee (>[acutemacr]) for an iambus (˘[acutemacr]).
[*] a. The Iambic Trimeter is often used in lyric poetry (1) as an independent system, or (2) alternating with the Dimeter to form the Iambic Strophe, as follows:—- (1) iam iam éffĭcā´|cī || dō´ mănū´s | scĭéntĭaé
- suppléx ĕt ō´|rō || rē´gnă pér | Prŏsérpĭnaé,
- pĕr ét Dĭā´|nae || nō´n mŏvén|dă nū´mĭnă´,
- pĕr átquĕ líb|rōs || cármĭnúm | văléntĭŭ´m
- dēfī´xă caé|lō || dē´vŏcā´|rĕ sī´dĕră´,
- Cănī´diă, pár|cĕ || vō´cĭbús | tandém săcrī´s,
- cĭtúmquĕ rét|rŏ || rétrŏ sól|vĕ túrbĭnĕ´m.—Hor. Epod. 17.
- Oh! stay, Canidia, stay thy rites of sorcery,
- Thy charm unbinding backward let thy swift wheel fly!
- (2) bĕā´tŭs íl|lĕ || quī´ prŏcúl | nĕgō´tĭī´s,
- ut prī´scă gē´ns | mortā´lĭŭ´m,
- pătérnă rū´|ră || bū´bŭs éx|ercét sŭī´s,
- sŏlū´tŭs óm|nī fē´nŏrĕ´;
- nĕque éxcĭtā´|tur || clássĭcō´ | mīlés trŭcī`,
- nĕque hórrĕt ī´|rātúm mărĕ´.—Hor. Epod. 2.
- ō lū´cĭs ál|mĕ rē´ctŏr || ét | caelī´ dĕcŭ´s!
- quī altérnă cúr|rū spă´tĭă || flám|mĭfĕrō ámbĭēns,
- illū´strĕ laé|tīs || éxsĕrís | terrī´s căpŭ´t.
- —Sen. Herc. Fur. 592-94.
- quid quaérĭs? án|nōs || séxāgín|tā nā´tŭs ĕ´s.
- —Ter. Haut. 62.
- hŏmō´ sum: hūmā´|nī || nī´l ā mē ă´lĭ|ēnúm pŭtō´.
- vel mē´ mŏnē´|re hōc || vél percón|tārī´ pŭtā´.
- id. 77, 78.
- aequē ést bĕā´|tŭs || ác pŏē´|mă cúm scrī´bĭt:
- tam gaúdĕt ín | sē, || támquĕ sē íp|sĕ mī´rā´tŭr.
- —Catul. 23.15, 16.
[*] Note.--The verse may also be regarded as trochaic with anacrusis: as,—
[*] d. The Iambic Trimeter Catalectic is represented as follows:— It is used in combination with other measures (see § 626. 11), and is shown in the following:—- Vulcā´nŭs ā´r|dēns || ū´rĭt óf|fĭcī´nā´s.—Hor. Od. 1.4.
- On purple peaks a deeper shade descending.—Scott.