Sophocles'
Antigone
In his powerful play of 441 B.C. entitled
Antigone
1, Sophocles presented a drama of harsh conflict between
the family's moral obligation to bury its dead in obedience to divine command and
the male-dominated city-state's need to preserve its order and defend its values.
Antigone, the daughter of
Oedipus2, the
now-deceased former king of
Thebes3, comes into
conflict with her uncle, the new ruler, when he forbids the burial of one of
Antigone's two brothers on the grounds he had been a traitor.
This brother had
attacked Thebes after the other brother had broken an agreement to share the
kingship.4 Both brothers died in the ensuing battle, but
Antigone's uncle had
allowed the burial only of the brother who had remained in power. When Antigone
brazenly defies her uncle5 by
symbolically burying the allegedly traitorous brother, her uncle condemns her to
die. He only realizes his error when sacrifices to the gods go wrong. His decision
to punish Antigone ends in personal disaster when his son and then his wife kill
themselves in despair. In this horrifying story of anger and death, Sophocles
deliberately exposes the right and wrong on each side of the conflict. Although
Antigone's uncle eventually acknowledges a leader's responsibility to listen to his
people, the play offers no easy resolution of the competing interests of
divinely-sanctioned moral tradition expressed by a woman and the political rules of
the state enforced by a man.